Stunning Blue Eyes

You joke about exposing yourself and then you look at me. "I'm sorry, we're offending you."

"I'm from DC, I've heard worse" I answer. From Brad, Jack, Will, Colin, Josh. It's a life I left. But you don't know that. You don't know that you are just like them. Down to your gorgeous blue eyes and your two parent-less children and your long record of transgressions.

And when I say that I can't take a break and ignore the customer, you say "You work at McDonalds."

"Apparently you don't know me at all" I say to you. What does that even mean, other than I am getting paid by a corporate presence to take food orders from insomniacs like myself? No, Mr. Hyde, I do not work at McDonalds; you do. I stay awake at McDonalds, I wash dishes at McDonalds, I schmooze people under the name McDonalds. But I also leave McDonalds. I do homework. I paint pictures, I play the piano, I write papers, I sing songs, I hold meetings, I read. And you sleep. You don't even leave to sleep. You work at McDonalds and you sleep, and I do not presume to know anything about that life.

So, my blue eyed monster of a man, what now? It is far more offensive for you to apologize for your crudeness than it is for you to be crude at all. Because while you are foolish and rude to make such a response, you are arrogant to sum my individuality into a stereotype.

3:31 AM

"Can I get a double cheeseburger, plain with mac sauce on it?"

"I' m sorry sir, we're only serving breakfast right now"

"Are you serious?"

"Yes"

"Ok, then can I have a medium chocolate milkshake?"

"I'm sorry, our milkshake machine goes into an automatic cleaning mode at 2:30"

"Are you serious?"

"Yes"

Explicitives. "I need a minute then"

"Ok, tell me when you're ready"

Pause. "Can I have two sausage burritos and a hash brown?"

"Do you want to make that a meal?"

"No, just the burritos and hash brown."

"Ok, your total is $3.22; please pull forward to the first window."

"Thanks."

10 minutes later. "Excuse me, sir, what was your order?"

"Two burritos and a hash brown."

"Oh, it'll be right out. Do you want any sauce?"

"Sweet and sour?"

"That costs 15 cents extra"

"Never mind. Hot sauce please." Pause. "How is your night going?"

"Same as usual."

"What time to you get off?"

"5"

"That's the graveyard alright. How long have you been a night owl?"

"All my life"

"Really? Is that why you work here?"

"I have nothing better to do." Shrug and smile. "Here you are, sir, sorry for the wait."

"It's all right. Have a good night."

"You too sir."

At least the burritos were hot.

To Serve a Higher Cause

One would think after six months of intense mental, spiritual, and intellectual workouts the fat would all just fall off. All that strain, all that labor, pressured into a blade that just slices all the undesirable stuff right off.

And yet for some reason the enigmatic paper proposal goes half written. I waded through all of my collections of knowledge. I purged it forth, supporting my ideas purely with legitimate quotes and about seventeen opening lines later I come to the real Maleficent, enchantingly beautiful despite the green skin. Why in the world am I writing a paper proposal for a cause that can be answered with one drawing?

How, in the light of the Restored Gospel, do we portray the Divine? With respect, in its purest form. Points. Lines. Planes.

So give me something to believe 'cause I am living just to breathe. And I need something more than what I'm breathing for, so give me something to believe.*

While sitting here in my sweats, channeling Carrie Bradshaw with an unblocked writers block, one has to wonder: when will the believing really kick in.

Then I realize that it already has. And while I may not really care to finish the paper proposal, I do care to find out exactly what prompted me to begin one in the first place. The girl working the graveyard shift at the local McDonalds would not care to deal with a subject so obscure. Kandinsky. Human Bodies. Why would anyone care about one or the other?

But the girl who will not settle for the lesser attentions of a man, the girl who shows up to work five minutes early, the girl who will give anything for what real relationships she has created her entire life. That girl I shake my finger at, for she is trouble. Man-eater, heart-breaker, untouchable copy of what has been, will be, and simply is somewhere other than here. I sigh at her, at the notion of extreme cost. Breaking, broken, raw. Raw in its pinkness, bloodiness. Raw in an open wound gaping in expression of pain, joy, ecstasy.

She is waiting impatiently for me to retch my guts out and return, water bottles, Tylenol, blankets and all. More, more, always more. There will always be something more. Is it enough to breathe? Never did anything require such a high price. For what must give for a single shallow breath? How many people lie in beds selling their souls for just one more? How many hoarde it in anticipation, fear, selfishness?

In, out, one two three four, in, out, one two three four.

It will not be wasted, not yet. Not yet. Not yet.

*From "Believe" as performed by The Bravery